Laughing Gor is quite a "cultural" phenomenon in the Hong Kong entertainment scene. This undercover cop character was a supporting role in a Hong Kong TVB television police drama E.U (Emergency Unit - which was already a third installment to The Academy series). While undercover cops characters and angle had been done numerous times in Hong Kong films and tv series, Laughing Gor managed to gain so much popularity until the character / actor got a movie and drama series spin off.
First was the movie Turning Point that was supposedly meant to chronicle the Laughing Gor's times before the events in E.U. However it wasn't a faithful prequel as there are a few events that contradict with what happened in the television series.
TVB "corrected" those problems by making another spin off television series called Lives of Omission. This new television series became a replacement series that correct the contradiction between E.U and Turning Point. After Lives of Omission, it seems that Laughing Gor is still pretty much sought after and that why there's Turning Point 2 Laughing Gor Returns ( Laughing Gor之潛罪犯 ), a movie that directly ties in with events that occurred in Lives of Omission.
Turning Point 2 starts off with Laughing Gor (Michael Tse) being sentenced to life imprisonment for killing So (Bosco Wong). But for Hong Kong's most beloved undercover cop, it's never that simple. It turned out that Laughing Gor is in a new mission to gather more information on Tai Chit (Chapman To) a former Narcotics Bureau Station Sergeant who admitted to corruption but refused to reveal the identity of his accomplice.
Soon afterwards, a trained psychologist Professor Fok (Francis Ng) is imprisoned for drug dealings. The mysterious Professor is not a simple man. As soon as his jail term starts, he demonstrated his ability in analyzing people and manipulating
people's mind. Laughing Gor soon realized that the Professor is interested in Tai Chit too. To add on to his dubious character, Laughing Gor also noticed that So's wife, Paris (Kate Tse) has been visiting Professor Fok and they are in a strange loving relationship.
What is Tai Chit withholding? Who is this mysterious Professor Fok and what is he up to? Why is Paris hooking up with the Professor when she should still be in the mourning for her dead husband. It all adds up to a big confrontation with the new head of police, the drug lord of the golden triangle and a diabolical plan to change the system.
There are a couple of things that I noticed about Turning Point 2 Laughing Gor Returns. The first and foremost would be that this movie relies heavily on the events in Lives of Omission and how it affected characters like So and Paris. Even though there's flashbacks to the last few episodes of Lives of Omission, it can get rather disconnecting. If it's impossible to access the television series, at least try to read up with Wiki page on it.
The second thing would be that Turning Point 2 played out like the third installment of Infernal Affairs. In order to move on, it adds new characters in by writing new background stories that wasn't established in The Omission of Life. In a way, it's a major retcon to what's been established, particularly to Laughing Gor killing So at the end of Lives of Omission. Some might like it and some might not. Personally, I thought it was a rather intriguing retcon and it kept me entertained throughout the show.
It's also quite strange that Michael Tse's screen time as Laughing Gor has been dramatically reduced for a lead role. It's filled with unnecessary characters like Carmen (Janice Man), Laughing Gor's handler and comedic performance of MC Jin as Officer Yeung that did very little for the story or Laughing Gor's story. It doesn't help when Michael Tse's co stars, Francis Ng, Chapman To and Kara Hui are stealing the show from the lead. It's like what Anthony Wong, Eric Tsang and Francis Ng (again) did in the first Turning Point movie, out shinning Michael Tse's performance.
In summary, I am still waiting for Michael Tse to impress me with his Laughing Gor character. I am still not getting the hype and popularity of this undercover cop. But that not to say that Turning Point 2 Laughing Gor Returns isn't without it's entertainment value. The retcon was fun to watch and the supporting cast of Francis Ng, Chapman To and Kara Hui are ever reliable in their respecting roles. Turning Point 2 comes recommended and probably highly recommended if you are a fan of Lives of Omission.
Rating: ***
Showing posts with label Psychopath. Show all posts
Showing posts with label Psychopath. Show all posts
Wednesday, December 28, 2011
Thursday, August 25, 2011
I Saw the Devil | 악마를 보았다
The Pitch
I Saw the Devil has been on my radar for a long time. I been wondering if this movie would be getting any cinematic release here in Singapore. The wait is finally over. I Saw the Devil will be shown from 15 Nov 2011 onwards at Cathay Cinemas (courtesy of Luna Films).
There are a couple of reasons why I want to see this movie.
Firstly, the violent content in this serial movie made the Korea Media Rating Board to force the director Kim Ji-woon to remove the objectionable materials before it's allowed theatrical release. Sound like it's going to be an unflinching movie that's what made Korean movies so great.
Besides having the potential to be a very well made torture porn, I Saw the Devil stars Lee Byun Hyun (A Bittersweet Life) and Choi Min-sk (Oldboy). Both of them had made some of the most engaging Korean movies in recent years. It would be a blast to see this two actors go against each other in this movie.
Then there's the collaboration between Lee Byun Hyun and director Kim Ji-woon. Both of them made A Bittersweet Life (my personal faveourite movie of all time) and The Good, the Bad the Weird. If I am not wrong, this would mark their third collaboration in movies and somehow, their collaboration had always brought something special onto the screen.
Last but not least, I Saw the Devil also marks the return of Choi Min-sk in Korean movies. He went into a self imposed exile from Korean movies to protest against the reduction of the Film Quota in South Korea back in 2006. Probably didn't work out as well as he had planned but I for one, am glad that he is coming back to Korean movies.
To sum it up, intriguing subject matter that was too much for the Korean censorship and two of the best Korean actors going head to head with each other, I Saw the Devil is on my must watch list*.
*That is hopping that Singapore Censorship Board won't cut (too much) of this movie.
The Plot
Kyung-chul (Choi Min-sk) is a dangerous psychopath who kills for pleasure. He has committed infernal serial murders in diabolic ways that one cannot even begin to imagine and his victims range from young women to even children. The police have been chasing him for a long time, but unable to catch him.
One day, Ju-yeon, daughter of a retired police chief, becomes his prey and is found dead in a horrific state.
Her fiancé Soo-hyun (Lee Byun Hyun), a top secret agent, decides to track down the murderer himself. He vows to do everything in his power to take bloody vengeance against the killer, even if it means that he must become a monster himself to get the monstrous and inhumane killer.
(Plot Outline from Cathay)
Coming Soon (15 Sep)
I Saw the Devil has been on my radar for a long time. I been wondering if this movie would be getting any cinematic release here in Singapore. The wait is finally over. I Saw the Devil will be shown from 15 Nov 2011 onwards at Cathay Cinemas (courtesy of Luna Films).
There are a couple of reasons why I want to see this movie.
Firstly, the violent content in this serial movie made the Korea Media Rating Board to force the director Kim Ji-woon to remove the objectionable materials before it's allowed theatrical release. Sound like it's going to be an unflinching movie that's what made Korean movies so great.
Besides having the potential to be a very well made torture porn, I Saw the Devil stars Lee Byun Hyun (A Bittersweet Life) and Choi Min-sk (Oldboy). Both of them had made some of the most engaging Korean movies in recent years. It would be a blast to see this two actors go against each other in this movie.
Then there's the collaboration between Lee Byun Hyun and director Kim Ji-woon. Both of them made A Bittersweet Life (my personal faveourite movie of all time) and The Good, the Bad the Weird. If I am not wrong, this would mark their third collaboration in movies and somehow, their collaboration had always brought something special onto the screen.
Last but not least, I Saw the Devil also marks the return of Choi Min-sk in Korean movies. He went into a self imposed exile from Korean movies to protest against the reduction of the Film Quota in South Korea back in 2006. Probably didn't work out as well as he had planned but I for one, am glad that he is coming back to Korean movies.
To sum it up, intriguing subject matter that was too much for the Korean censorship and two of the best Korean actors going head to head with each other, I Saw the Devil is on my must watch list*.
*That is hopping that Singapore Censorship Board won't cut (too much) of this movie.
The Plot
Kyung-chul (Choi Min-sk) is a dangerous psychopath who kills for pleasure. He has committed infernal serial murders in diabolic ways that one cannot even begin to imagine and his victims range from young women to even children. The police have been chasing him for a long time, but unable to catch him.
One day, Ju-yeon, daughter of a retired police chief, becomes his prey and is found dead in a horrific state.
Her fiancé Soo-hyun (Lee Byun Hyun), a top secret agent, decides to track down the murderer himself. He vows to do everything in his power to take bloody vengeance against the killer, even if it means that he must become a monster himself to get the monstrous and inhumane killer.
(Plot Outline from Cathay)
Coming Soon (15 Sep)
Monday, July 11, 2011
Four | หลุดสี่หลุด [ Movie Review ] ★★★★
Four innovative demented suspenseful comedic horror stories. This Tom Yum blend of Twilight Zone rocks.
In recent years, my personal favorite Thai horror movies have been the Phobia series (4bia and Phobia 2). It shows that good Thai horror might be in form of short stories and a collection of them brings in diversity and horror in the right dosage. When the trailer for Four appeared on my radar, it felt like a weak copycat aping the success of the previous two omnibus of Thai horror. But surprisingly, the only thing that was bad about this movie would be the trailer and Four was equally good as the Phobia series.
Think of it as a Thai Twilight Zone movie and you get the right level of scariness. It offers some intriguing concepts that probably would lose it's appeal if the each individual idea was to be expanded into a feature length movie.
Here's the lowdown on the plots of the four short stories and my thoughts on them.
The Noob's Human Holocaust | เกรียนหลุดโลก
Four kids hanging out at a mall, talking about Global Warming and how earth would benefit from some form of genocide. Their choice of mass massacre? It would be a virus without a vaccine. They started to diverge to how the virus could be spread through computers and other form of electronic devices.
As their conversation gets weirder, one of the group member started to ask the most important question. Who organized this gathering?
On first impression, The Noob's Human Holocaust looked like a film school project with cinematography that felt amateurish. But for folks who are into films and film making, it won't be hard to spot that the entire segment was done in one take. That means one continuous shot of this segment with no NGs and no cuts. There was a moment whereby the camera floated away from the conversation and pans to the second level of the mall before making it's way back to the boys' table. The unsteady camerawork gave the used of handheld Steadicam away but extra points should be given to the filmmakers and cast for their various background works and coordination to make it possible to capture the whole story in one shot.
Technical details aside, the whole global cleansing conversation between this four kids was rather interesting (depending on your personal views). It felt rather nihilist and bleak but there's some truth in the overpopulation issue that these teenagers touched on. Their choice of virus seemed far fetched but innovative in it's own ways. The execution of this grand plan was both comical and horrifying. Needless to say, capturing this story in one shot just helped make it even more spooky. Eakasit Thairaat, the scriptwriter for all the four stories in Four and Paween Purijitpanya's "4Bia: The Deadly Talisman" directed this piece and personally, I will be keeping an eye on him, looking out for what is he doing to do next.
Last but not least, I personally digs how they used the virus as a form of subtle PSA (Public Service Announcement) to turn their handphones off during movies. Pretty niffy way to start a movie. this review belongs to filmsblitz at blogspot. please do not shamelessly copy it and use it as your own
The Gift Shop for the People You Hate | ร้านของขวัญเพื่อคนที่คุณเกลียด
Thada (Pakkorn Chartburrirak) had just been promoted to manager in his company. While everyone is celebrating for him, there's a disgruntled colleague that had some nasty stuff to say to him. After the incident blew over, Thada decided to go for a walk and look for gifts to give his colleagues as part of his promotion celebration. He came across a shop with the name "The Gift Shop for the People You Hate". Puzzled by the shop name, he went into the shop and was told by the salesperson that this is the place to get back at rivals or enemies. They carry umbrella that comes with a lightning rod and perfume laced with the deadly tiger wasp stingers. They even provide services to sabotage individuals up to the degree that the customers wished.
Thada dismissed the salesperson's pitch and wanted to leave. The salesperson then mention that someone already bought six gifts for him and warned him to watch out for products with their company logo. Thada naturally didn't believe that and went on to enjoy his promotion. The fun starts when he starts to unwrap and uses his promotion gifts.
Think of it as Stephen Chow's Tricky Brains that's less playful and more mean spirited. It's innovative in the ways that they came up with those whacky gifts. The suspense here would be to see how Thada could figure out which gifts are life threatening. The beautiful of going to the movies is so that we could live vicariously through these unfortunate protagonist. The characterization for Thada felt uneven at times but that was easily forgotten with the delivery of one heck of a comeuppance twisty ending. This piece directed by Kongkiat Khomsiri (Muay Thai Chaiya and Art of the Devil 2 & 3) is bizarrely entertaining.
The Night to Lose Your Mind | คืนจิตหลุด
After unwittingly shooting a pregnant lady during a robbery, Neung (Ananda Everingham) became a changed. He became a reckless trigger happy manic who is causing destress to his partner Joe (Thitti Vejchaboon. Even though they were wanted by the police, Neung insisted on carrying out another robbery and bringing his brother Song (Peerapol Sehnakol) along. Joe was reluctant but was forced at gunpoint to carry out their final robbery together.
After their robbery, they encountered a police roadblock and decided to hide in a old abandon hospital. They were about to split their booty when they encountered someone or something that lurking around. Neung in his maniac mood swing felt that his authority had been challenged and decided to chased after the shadowy individual. Resulting in a night that ripe to lose one's mind.
Arguably the weakest installment of the whole lot. This segment relied heavily on Ananda Everingham's performance to keep this segment going. While he did a decent job, it's hard not to feel that it dragged the story out a bit too long for it's own good. It felt like an rendition of the Saw franchise which was enjoyable and decently filmed to get the type of reaction to torture porn. The twist at the end was somewhat predictable but still satisfying even after the long wait.
Who R Kong? | ฮูอากง
The grandfather of a Thai Chinese family had passed on but before he died, his last words were "Don't burry me or cremate me until...". His children obeyed his last wishes and left his corpse in his ancestral home. Years later, the family had problem hiring maids to watch over the body as it tends to walk around, scaring the hell out of the maids.
They hired a fortune teller / exorcist to solve the problem and the family was told that the grandpa wanted to pass a message to his favorite grandchild. The message was said to contain hidden treasures in the ancestral home. The head of the household then decided that all the grandchildren would stay over to look after the grandfather's body.
The grandchildren were made up of an effeminate guy who refuse to admit that he is a homosexual, a brainy doctor who is quite an asshole, a internet porn addict teenager and a little girl who is constantly texting with her blackberry. Lastly, there's Song (Alice Tsoi), the granddaughter who seemed to be the most decent and sensible among the bunch.
This segment got the whole cinema laughing out loud and stomping their feet. The over the top comedic performance and situations made it hard to sit through without laughing. The effeminate grandson will bring the house down with his dance moves and his strenuous denial of his homosexuality. In between moments of laugh out loud comedic situations, there's the suspenseful ones involving one grandpa who can't keep still even after he is dead.
This "homedy" segment is wonderfully directed by Chukiat Sakveeraku (who also directed Love of Siam, one of my fave movies of 2009). It's impressive that he was able to deliver a well blend of scary horror and riotous comedy. In an unexpected way, he was able to close this whole segment with a sweet ending. Personally it was a terrific way of ending a fun rollar coaster ride.
In recent years, my personal favorite Thai horror movies have been the Phobia series (4bia and Phobia 2). It shows that good Thai horror might be in form of short stories and a collection of them brings in diversity and horror in the right dosage. When the trailer for Four appeared on my radar, it felt like a weak copycat aping the success of the previous two omnibus of Thai horror. But surprisingly, the only thing that was bad about this movie would be the trailer and Four was equally good as the Phobia series.
Think of it as a Thai Twilight Zone movie and you get the right level of scariness. It offers some intriguing concepts that probably would lose it's appeal if the each individual idea was to be expanded into a feature length movie.
Here's the lowdown on the plots of the four short stories and my thoughts on them.
The Noob's Human Holocaust | เกรียนหลุดโลก
Four kids hanging out at a mall, talking about Global Warming and how earth would benefit from some form of genocide. Their choice of mass massacre? It would be a virus without a vaccine. They started to diverge to how the virus could be spread through computers and other form of electronic devices.
As their conversation gets weirder, one of the group member started to ask the most important question. Who organized this gathering?
On first impression, The Noob's Human Holocaust looked like a film school project with cinematography that felt amateurish. But for folks who are into films and film making, it won't be hard to spot that the entire segment was done in one take. That means one continuous shot of this segment with no NGs and no cuts. There was a moment whereby the camera floated away from the conversation and pans to the second level of the mall before making it's way back to the boys' table. The unsteady camerawork gave the used of handheld Steadicam away but extra points should be given to the filmmakers and cast for their various background works and coordination to make it possible to capture the whole story in one shot.
Technical details aside, the whole global cleansing conversation between this four kids was rather interesting (depending on your personal views). It felt rather nihilist and bleak but there's some truth in the overpopulation issue that these teenagers touched on. Their choice of virus seemed far fetched but innovative in it's own ways. The execution of this grand plan was both comical and horrifying. Needless to say, capturing this story in one shot just helped make it even more spooky. Eakasit Thairaat, the scriptwriter for all the four stories in Four and Paween Purijitpanya's "4Bia: The Deadly Talisman" directed this piece and personally, I will be keeping an eye on him, looking out for what is he doing to do next.
Last but not least, I personally digs how they used the virus as a form of subtle PSA (Public Service Announcement) to turn their handphones off during movies. Pretty niffy way to start a movie. this review belongs to filmsblitz at blogspot. please do not shamelessly copy it and use it as your own
The Gift Shop for the People You Hate | ร้านของขวัญเพื่อคนที่คุณเกลียด
Thada (Pakkorn Chartburrirak) had just been promoted to manager in his company. While everyone is celebrating for him, there's a disgruntled colleague that had some nasty stuff to say to him. After the incident blew over, Thada decided to go for a walk and look for gifts to give his colleagues as part of his promotion celebration. He came across a shop with the name "The Gift Shop for the People You Hate". Puzzled by the shop name, he went into the shop and was told by the salesperson that this is the place to get back at rivals or enemies. They carry umbrella that comes with a lightning rod and perfume laced with the deadly tiger wasp stingers. They even provide services to sabotage individuals up to the degree that the customers wished.
Thada dismissed the salesperson's pitch and wanted to leave. The salesperson then mention that someone already bought six gifts for him and warned him to watch out for products with their company logo. Thada naturally didn't believe that and went on to enjoy his promotion. The fun starts when he starts to unwrap and uses his promotion gifts.
Think of it as Stephen Chow's Tricky Brains that's less playful and more mean spirited. It's innovative in the ways that they came up with those whacky gifts. The suspense here would be to see how Thada could figure out which gifts are life threatening. The beautiful of going to the movies is so that we could live vicariously through these unfortunate protagonist. The characterization for Thada felt uneven at times but that was easily forgotten with the delivery of one heck of a comeuppance twisty ending. This piece directed by Kongkiat Khomsiri (Muay Thai Chaiya and Art of the Devil 2 & 3) is bizarrely entertaining.
The Night to Lose Your Mind | คืนจิตหลุด
After unwittingly shooting a pregnant lady during a robbery, Neung (Ananda Everingham) became a changed. He became a reckless trigger happy manic who is causing destress to his partner Joe (Thitti Vejchaboon. Even though they were wanted by the police, Neung insisted on carrying out another robbery and bringing his brother Song (Peerapol Sehnakol) along. Joe was reluctant but was forced at gunpoint to carry out their final robbery together.
After their robbery, they encountered a police roadblock and decided to hide in a old abandon hospital. They were about to split their booty when they encountered someone or something that lurking around. Neung in his maniac mood swing felt that his authority had been challenged and decided to chased after the shadowy individual. Resulting in a night that ripe to lose one's mind.
Arguably the weakest installment of the whole lot. This segment relied heavily on Ananda Everingham's performance to keep this segment going. While he did a decent job, it's hard not to feel that it dragged the story out a bit too long for it's own good. It felt like an rendition of the Saw franchise which was enjoyable and decently filmed to get the type of reaction to torture porn. The twist at the end was somewhat predictable but still satisfying even after the long wait.
Who R Kong? | ฮูอากง
The grandfather of a Thai Chinese family had passed on but before he died, his last words were "Don't burry me or cremate me until...". His children obeyed his last wishes and left his corpse in his ancestral home. Years later, the family had problem hiring maids to watch over the body as it tends to walk around, scaring the hell out of the maids.
They hired a fortune teller / exorcist to solve the problem and the family was told that the grandpa wanted to pass a message to his favorite grandchild. The message was said to contain hidden treasures in the ancestral home. The head of the household then decided that all the grandchildren would stay over to look after the grandfather's body.
The grandchildren were made up of an effeminate guy who refuse to admit that he is a homosexual, a brainy doctor who is quite an asshole, a internet porn addict teenager and a little girl who is constantly texting with her blackberry. Lastly, there's Song (Alice Tsoi), the granddaughter who seemed to be the most decent and sensible among the bunch.
This segment got the whole cinema laughing out loud and stomping their feet. The over the top comedic performance and situations made it hard to sit through without laughing. The effeminate grandson will bring the house down with his dance moves and his strenuous denial of his homosexuality. In between moments of laugh out loud comedic situations, there's the suspenseful ones involving one grandpa who can't keep still even after he is dead.
This "homedy" segment is wonderfully directed by Chukiat Sakveeraku (who also directed Love of Siam, one of my fave movies of 2009). It's impressive that he was able to deliver a well blend of scary horror and riotous comedy. In an unexpected way, he was able to close this whole segment with a sweet ending. Personally it was a terrific way of ending a fun rollar coaster ride.
Tuesday, June 21, 2011
The Beaver [ Movie Review ] ★★★1/2
The Pitch
These days, Mel Gibson has been surrounded by controversy that cause his career and popularity to plummeted into a free fall. There's the DUI anti-semitism remarks and the ex girlfriend's domestic violence-related restraining order to name a few. He had been dropped by his agency and it would appeared that his career might be over.
Then comes Jodie Foster and this movie project about a depressed man who takes on a new persona through a beaver hand puppet. Perhaps its a way of helping her good friend out of a slum but the subject matter in The Beaver seemed like the right fix for Mel Gibson to exorcise his demons.
Putting Mel Gibson's problems aside, let's not forget that both Mel Gibson and Jodie Foster had made good movies as actors and directors before. Personally that an added incentive to see what their second collaboration* could churn out. (* their first being the enjoyable movie adaption of the western TV series, Mavericks)
The Plot
The Beaver follows the life of depressed toy executive Walter Black (Mel Gibson) who, after being kicked out by his wife, takes on a new persona in which he communicates through a beaver hand puppet. His wife ( Jodie Foster) and son (Anton Yelchin) are skeptical, but try to accept Walter as a favor to their younger son, who loves the beaver.
The Perspective
The Beaver felt like it's holding a mirror to what had transpired in Mel Gibson's downward spiral in recent years. His bout with depression and how he was perceived when he spoke of things without self censorship. At times, it felt like a raw confession done with a comedic touch that seeks the audience's understanding of what Mel Gibson went through.
Performance wise, Mel Gibson is a pretty good puppeteer. The way he switch accent and how he brought the beaver to life was impressive. There are a couple of time that it's hard to focus on both the actor and his puppet when "they" were delivering one heck of a performance.
The Beaver might not be everyone's cup of tea. It's good but it's really a depressing subject. Not exactly a movie that entertain the causal movie goers. It was also a box office flop in the USA and it make one wonder if the general public are still unwilling to forgive Mel Gibson for all the controversy that he had stirred up or they just didn't like the theme of this movie. Personally I suspect that it might be a mixture of both. But if one could look beyond the controversy surrounding Mel Gibson or even use it as a sort of enhancement in viewing The Beaver, it's an entertaining way to approach such a serious condition.
These days, Mel Gibson has been surrounded by controversy that cause his career and popularity to plummeted into a free fall. There's the DUI anti-semitism remarks and the ex girlfriend's domestic violence-related restraining order to name a few. He had been dropped by his agency and it would appeared that his career might be over.
Then comes Jodie Foster and this movie project about a depressed man who takes on a new persona through a beaver hand puppet. Perhaps its a way of helping her good friend out of a slum but the subject matter in The Beaver seemed like the right fix for Mel Gibson to exorcise his demons.
Putting Mel Gibson's problems aside, let's not forget that both Mel Gibson and Jodie Foster had made good movies as actors and directors before. Personally that an added incentive to see what their second collaboration* could churn out. (* their first being the enjoyable movie adaption of the western TV series, Mavericks)
The Plot
The Beaver follows the life of depressed toy executive Walter Black (Mel Gibson) who, after being kicked out by his wife, takes on a new persona in which he communicates through a beaver hand puppet. His wife ( Jodie Foster) and son (Anton Yelchin) are skeptical, but try to accept Walter as a favor to their younger son, who loves the beaver.
The Perspective
The Beaver felt like it's holding a mirror to what had transpired in Mel Gibson's downward spiral in recent years. His bout with depression and how he was perceived when he spoke of things without self censorship. At times, it felt like a raw confession done with a comedic touch that seeks the audience's understanding of what Mel Gibson went through.
Performance wise, Mel Gibson is a pretty good puppeteer. The way he switch accent and how he brought the beaver to life was impressive. There are a couple of time that it's hard to focus on both the actor and his puppet when "they" were delivering one heck of a performance.
The Beaver might not be everyone's cup of tea. It's good but it's really a depressing subject. Not exactly a movie that entertain the causal movie goers. It was also a box office flop in the USA and it make one wonder if the general public are still unwilling to forgive Mel Gibson for all the controversy that he had stirred up or they just didn't like the theme of this movie. Personally I suspect that it might be a mixture of both. But if one could look beyond the controversy surrounding Mel Gibson or even use it as a sort of enhancement in viewing The Beaver, it's an entertaining way to approach such a serious condition.
Monday, April 25, 2011
The Roommate [ Movie Review ] ★★
The Pitch
The premise of unexpected encounters with a psychopath has been done numerous of times before. There's one with young kids (Macaulay Culkin & Elijah Wood) in The Good Son and then there's the demented nanny (Rebecca De Mornay) in The Hand that Rocks the Cradle. In recent years, there's the Obsessed co worker stalker with Ali Larter and Beyoncé Knowles. Even the premise for The Roommate felt so much like a repeat of Single While Female that there are people calling this movie the Single While College Female.
Casting wise, the two female leads, Minka Kelly and Leighton Meester are relatively unknown to me. The last time I saw Minka Kelly was her turnout as Autumn in (500) Days of Summer and even in those brief moment, she was hot enough to be register in my mind. I would have probably saw Leighton Meester in Going the Distance and Date Night but it's hard to recall what were her roles in those movies.
Nevertheless, a good psychological horror can still comes from formulaic plots and unknown actors, as long as there's good handing of the materials. Let's see if these two young ladies are able to present a good psychological trauma / scare for hooking up with the wrong roommate.
The Plot
Sara Matthews (Minka Kelly) is starting her college life at ULA and it's off to a good start. Her hostel mate Tracy Morgan (Alyson Michalka) is bringing her to party and she meets up with a fraternity house band drummer Stephen Morterelli (Cam Gigandet). Just the type of distraction she needs to forget about her pestering ex boyfriend.
Eventually she met her new roommate Rebecca Evans (Leighton Meester) who seemed to be a quiet rich girl that enjoys the art gallery more than parties. They started to bond well and even took care of a stray kitten together. But as times goes on, Rebecca obsession with Sara started to unravel and she would goes to the extremes to keep Sara close to her. It just matter of time that Sara would find out that something is not right with her Roommate.
The Perspective
The Roommate is one suspense thriller that is not suspenseful or thrilling. It's so predictable that you could easily guess what's going to happen next. Sara thinking of moving out of the hostel due to the no kitten rule, no prize for guessing what's going to happen to the kitten. Sara's professor making a pass at her, who going to help her take revenge without her knowing. The setups for the psycho roommate to exercise her psycho way of caring were too apparent that viewers are able to guess what's coming next.
It doesn't help that Leighton Meester's rendition of a psycho roommate was pretty bland. There's nothing about her that's truly spooky or scary. She looks like a moody college student trying to look dangerous and there's hardly anything sinister about her even when she was out doing terrible things for Sara. If anyone is interested in how a freaking female psycho should be like, look for Kathy Bates' Annie Wilkes performance in Misery.
The only highlight in this movie would be Minka Kelly. She still look as hot as she was in the few seconds of (500) Days of Summer. It's nice to have her as eye candy when the plot was so formulaic and deary. But then again, this is suppose to be a suspense drama thriller and for that, there's nothing appealing that worth recommending. It would have been better to rent the other old psychopath movies (mentioned above) instead
The premise of unexpected encounters with a psychopath has been done numerous of times before. There's one with young kids (Macaulay Culkin & Elijah Wood) in The Good Son and then there's the demented nanny (Rebecca De Mornay) in The Hand that Rocks the Cradle. In recent years, there's the Obsessed co worker stalker with Ali Larter and Beyoncé Knowles. Even the premise for The Roommate felt so much like a repeat of Single While Female that there are people calling this movie the Single While College Female.
Casting wise, the two female leads, Minka Kelly and Leighton Meester are relatively unknown to me. The last time I saw Minka Kelly was her turnout as Autumn in (500) Days of Summer and even in those brief moment, she was hot enough to be register in my mind. I would have probably saw Leighton Meester in Going the Distance and Date Night but it's hard to recall what were her roles in those movies.
Nevertheless, a good psychological horror can still comes from formulaic plots and unknown actors, as long as there's good handing of the materials. Let's see if these two young ladies are able to present a good psychological trauma / scare for hooking up with the wrong roommate.
The Plot
Sara Matthews (Minka Kelly) is starting her college life at ULA and it's off to a good start. Her hostel mate Tracy Morgan (Alyson Michalka) is bringing her to party and she meets up with a fraternity house band drummer Stephen Morterelli (Cam Gigandet). Just the type of distraction she needs to forget about her pestering ex boyfriend.
Eventually she met her new roommate Rebecca Evans (Leighton Meester) who seemed to be a quiet rich girl that enjoys the art gallery more than parties. They started to bond well and even took care of a stray kitten together. But as times goes on, Rebecca obsession with Sara started to unravel and she would goes to the extremes to keep Sara close to her. It just matter of time that Sara would find out that something is not right with her Roommate.
The Perspective
The Roommate is one suspense thriller that is not suspenseful or thrilling. It's so predictable that you could easily guess what's going to happen next. Sara thinking of moving out of the hostel due to the no kitten rule, no prize for guessing what's going to happen to the kitten. Sara's professor making a pass at her, who going to help her take revenge without her knowing. The setups for the psycho roommate to exercise her psycho way of caring were too apparent that viewers are able to guess what's coming next.
It doesn't help that Leighton Meester's rendition of a psycho roommate was pretty bland. There's nothing about her that's truly spooky or scary. She looks like a moody college student trying to look dangerous and there's hardly anything sinister about her even when she was out doing terrible things for Sara. If anyone is interested in how a freaking female psycho should be like, look for Kathy Bates' Annie Wilkes performance in Misery.
The only highlight in this movie would be Minka Kelly. She still look as hot as she was in the few seconds of (500) Days of Summer. It's nice to have her as eye candy when the plot was so formulaic and deary. But then again, this is suppose to be a suspense drama thriller and for that, there's nothing appealing that worth recommending. It would have been better to rent the other old psychopath movies (mentioned above) instead
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