Horror Stories | 무서운 이야기 [ Movie Review ] ★★★

Horror Stories 무서운 이야기

"If you want to be alive, then tell me... Horror Stories 무서운 이야기"

The Pitch

It's hard to find good horror movies lately. After the disappointing introduction to Paranormal Activity franchise, the crave for a good eerie and sensible scary movie still lingers. The trailer for the Korean omnibus of short horror movie segments (that befittingly titled) Horror Stories seems to be a promising cure for the Paranormal Activity 4 hangover.

The setup for the main frame narrative reminded me of One Thousand and One Nights / Arabian Nights. A female protagonist has to resort to telling stories to stay alive. The fable setup might just work in a horror movie.

Plus I am also a fan of the recent Thailand horror movies that were structured in similar omnibus format. Movies like Four, 4bia and it's sequel Phobia 2 remained etched in the mind long after the credits rolled. They were testaments that some good horror stories are most effective when it's short and sweet. They are not constrained in feature length movie time frame and they branch out in different areas of creativity.

Personally, I can't wait to see what the Koreans have to offer with their omnibus of horror stories and Thanks to InCinemas, I will be watching this movie a day before it even sneaks in Singapore.

Quick | 퀵 [ Movie Review ] ★★★1/2

The Pitch

Quick 퀵 caught my attention with it's box office performance in Korea. It didn't managed to top the box office during it's run in Korea cinemas. Each week, it was outflanked by other Korean movies like The Front Line and Sector 7. But at the year end tally of total admissions, Quick was ahead of The Front Line and Sector 7. That piped my curiosity. What the draw of this movie which look strikingly like Keanu Reeves' Speed?

The Plot

Legendary biker Han (Lee Min-Ki) used to roam the streets recklessly with their motorcycles. Now he works as a courier boy who delivers his customer's goods in record breaking time.

His past caught up with him when his colleague dispatch him to send Ah-Rom (Kang Hye-Won) a member of a successful pop idol group to a concert. It turned out that Ah-Rom used to be his girlfriend and he broke her heart by cheating on her. Just as Han was about to proceed with the delivery, a mysterious caller warns him that Ah-Rom is wearing a helmet with explosive. If Han doesn't makes the deliveries within the time limited that the mysterious caller set, the helmet will explode. If they try to remove the helmet or are separated more than 10 meters, the helmet will explode.

The deliveries that they have to make are obviously explosive in nature. Not only that, they have to deal with Ah-Rom insistence on making a detour for her pop idol group's performance, the persistent hounding by Ah-Rom admirer cum Han's ex arch rival cum traffic police officer Kim Myung-Sik (Kim In-Kwon) and a conspiracy theory involving Japanese Yakuza. The chain of events and characters provide the set up for a series of unexpected fun and thrills.

The Perspective - Quick Movie Review

Quick 퀵 - think of it as "Speed" infuse with nonsensical humor and what a ride it was. In fact, there's even a climatic ending on board on a speeding train that stood out as a form of "homage" to "Speed". It might not have been equally thrilling but Quick stood out on with it's side bursting gags that kept me laughing as the explosive thriller unfolds.

The Cat | 고양이 : 죽음을 보는 두 개의 눈 [ Movie Review ] ★★

The Plot

So-yuen (Park Min-Young) works at a pet shop as a groomer. After tending to a cat, she started to see a mysterious bob-haired young girl. She didn't put too much thought on it as she suffered from claustrophobia due to a traumatic childhood incident and was still getting treatment for it.
When the cat owner mysteriously passed away in a lift, So-yuen happened to coincidentally passed by the building. A police officer Joon-Suk (Kim Dong-Wook) who was at the scene and was tasked to handle the cat, coincidentally turned out to be her good friend Bo-Hee (Shin Da-Eun) ex boyfriend that she had a crush on. The police officer requested her to take care of the cat and that's when the supernatural troubles started to escalate for So-yeun.

The Perspective 

The Cat smelled like another generic Asian horror flick that derived it's horror and storyline from the classic Japanese horror The Ring (Ringu). The trailer and plot synopsis reaffirmed that there will be no surprises in this tired genre.


You get a pretty lady as the protagonist who is having some sort of trauma from before. So-Yuen (played by the pretty Park Min-Young) is one such person. Something happened to her before and now, she is claustrophobic with a eerie dad. A convenient set up so that it would give her the excuse to freak out more often than normal people.

She would come across some form of supernatural device that would kill the people around her but not her. After the video tape in the Ring, we have seen Asian horror film makers desperately trying to throw anything and hopping that it would stick. There's been cellphones, wigs and even cinemas. This time round, the filmmakers are throwing the Cat at the audience. Cats could be morbid creatures but here it's just a another plot device at horror.

The scare tactics used in The Cat had been recycled so often that it's hard to be terrify. It's also easy to spot who are the "would be" victims and that lessen the element of surprise. Additionally, these dis-likeable characters were scripted so that the story could waste time in killing them off in the most uninspired fashion and it does nothing much to advance the plot or build up the characters. Last but not least, the climatic revelation behind the haunting felt like a blatant copy of The Ring without the fitness to execute it properly.

I would say that the only saving grace in The Cat would be Park Min-Young as eye candy. Otherwise everything else here is a rehash of the usual Asian Horror films. Unless you are a new to this genre and couldn't get enough of the same stuff, this kitty is avoidable.

 Beyond the Movie
The direct translation for the long Korean movie title literally means Cat: Two Eyes That See Death.

Trailer

I Saw the Devil | 악마를 보았다

The Pitch

I Saw the Devil has been on my radar for a long time. I been wondering if this movie would be getting any cinematic release here in Singapore. The wait is finally over. I Saw the Devil will be shown from 15 Nov 2011 onwards at Cathay Cinemas (courtesy of Luna Films).

There are a couple of reasons why I want to see this movie.

Firstly, the violent content in this serial movie made the Korea Media Rating Board to force the director Kim Ji-woon to remove the objectionable materials before it's allowed theatrical release. Sound like it's going to be an unflinching movie that's what made Korean movies so great.

Besides having the potential to be a very well made torture porn, I Saw the Devil stars Lee Byun Hyun (A Bittersweet Life) and Choi Min-sk (Oldboy). Both of them had made some of the most engaging Korean movies in recent years. It would be a blast to see this two actors go against each other in this movie.

Then there's the collaboration between Lee Byun Hyun and director Kim Ji-woon. Both of them made A Bittersweet Life (my personal faveourite movie of all time) and The Good, the Bad the Weird. If I am not wrong, this would mark their third collaboration in movies and somehow, their collaboration had always brought something special onto the screen.

Last but not least, I Saw the Devil also marks the return of Choi Min-sk in Korean movies. He went into a self imposed exile from Korean movies to protest against the reduction of the Film Quota in South Korea back in 2006. Probably didn't work out as well as he had planned but I for one, am glad that he is coming back to Korean movies.

To sum it up, intriguing subject matter that was too much for the Korean censorship and two of the best Korean actors going head to head with each other, I Saw the Devil is on my must watch list*.

*That is hopping that Singapore Censorship Board won't cut (too much) of this movie.

The Plot

Kyung-chul (Choi Min-sk) is a dangerous psychopath who kills for pleasure. He has committed infernal serial murders in diabolic ways that one cannot even begin to imagine and his victims range from young women to even children. The police have been chasing him for a long time, but unable to catch him.

One day, Ju-yeon, daughter of a retired police chief, becomes his prey and is found dead in a horrific state.

Her fiancé Soo-hyun (Lee Byun Hyun), a top secret agent, decides to track down the murderer himself. He vows to do everything in his power to take bloody vengeance against the killer, even if it means that he must become a monster himself to get the monstrous and inhumane killer.

(Plot Outline from Cathay)

Coming Soon (15 Sep)

Sector 7 | 7광구

The Plot

1985. In “Sector 7”, an underwater oil field located south of Jeju Island, Hae-jun’s father goes missing in an unfortunate accident on the job.

25 years passed and Hae-jun is now working as a marine equipment manager on an old oil prospecting ship called Eclipse. Also on board are Hae-jun’s boyfriend and marine biologist Dong-su, fun-loving Sang-gu,a clueless new recruit, Hyun-wu and captain, Jeong-man

Jeong-man suggests conducting some drilling one last time before withdrawal of the ship. One day, Hae-jun takes Hyun-wu underwater, but he sinks to the bottom of the sea when the equipment fails. Evidence suggests that it was not an accident but sabotage. Shortly crew members begin to turn up dead, one by one, their bodies viciously mutilated to make matters worse, the ship is isolated in a typhoon.

What the few survivors soon discover is a transparent underwater creature. The viral monster infiltrated the ship through the drilling pipe and has been feeding on the crew to survive. Hae-jun and her colleagues’ frantic fight for their lives begin.

(Plot Outline taken from Cathay)


Coming Soon ( 6 Oct 2011)

The Man From Nowhere | 아저씨 [ Movie Review ] ★★★★

The Pitch

The Man from Nowhere was the Top Korean Film of the 2010 Korean Box Office. That information alone should perk some interest and curiosity for this movie. It's also headlined by Won Bin, one of the top artist in Korea with his huge fans base. But it's unlikely that the fans could push a film into the top spot. There must be something good in the movie that garnered so many viewings from non fans or business from repeated viewings.

The Plot

Cha Tae-sik (Won Bin) leads a quiet life a pawnbroker in a neighborhood pawn shop. A little girl So-Mi (Kim Sae-ron) kept pestering him and became his companion (irregardless whether he wants it or not). Troubles started knocking on their doors when thugs wanted to recover some drugs that So-Mi's mom had stolen and she kept it in a camera bag that she had pawned to Tae-sik.

What they didn't realized was that Tae-sik is not your ordinary pawnbroker and he is not a man to trifle with.

After a tense standoff, the thugs managed to leave with the drugs and So-Mi. In order to rescue them, he agreed to run an errand for them and ended up getting double crossed by the thugs. The police arrived at the exchange location and apprehended him. They were surprised to discover So-Mi's mom dead body in the trunk of his car. To make matters worse, the internal organs are missing and that would mean that these thugs are not simply trafficking drugs.

Time is ticking by and Tae-sik is forced to go all out to rescue little So-Mi before she suffers the same fate as her mom. It's not only the bad guys, Tae-sik had to content with the police force who are investigating this case.

The Perspective

The introduction arc of The Man from Nowhere felt like it's a remake of Léon (The Professional). It's awfully similar to how the young girl bonded with the quiet neighbor and the parents who are involved with drugs. I was half expecting the little girl asking for her neighbor to coach her in the ways of assassins. But then again, it's not a remake of Léon. Almost half way through, it became a movie about drug / human organs trafficking and one man's mission to rescue his young friend. He did it in a very brutally effective way and the movie took a turn for Liam Neeson's Taken.

But nevertheless, the movie has a solid run with it's rendition of those familiar elements and could stand on it's own without being label as a knockoff. It's largely based on the performance and how the story was told.

First of all, there are pretty memorable villains in this movie. The two leaders are wildly wicked and bestially cruel. Their right hand man is a cool hitman with a strong sense of ethics. The things they do to the kids are so repulsive that it makes their gory comeuppance a joy to sit through. They might be  stereotypical but they were effective here in defining the hero's struggle.

The story also had a great pace and flow. Keeping various turn of events coming a brisk pace that it will keep one on the edge of the chair. From the revelation of Tae-sik's background to the true nature of the thugs' trafficking, it just hooks you and never let go till the end credits.

Then there's the little girl's performance as So-Mi. Kim Sae-ron exude a sense of adorableness without being too annoying. There a sense of worldliness and innocence to her that makes her her a great supporting act. Given her young age, Kim Sae-ron is definitely someone to watch out for in the future. 

Last but not least, this is a Won Bin movie and he got screen charisma in spades. From the hard hitting unflinching man on a mission to one dealing with lost cause, it's easy to see why he had such a huge fan base.

The Koreans are also know for their hard hitting take on vengeance movies and they are constantly pushing edge of morality. With the right cast, performance and direction, the movie will grip hold of the audience long after the credits are over. The Man from Nowhere is one of those movies that balance violence and emotion well. One of the finest Korean movies in recent years and definitely worthy of it's placing in the 2010 Korean Box Office.


Beyond the Movie

The Korean title for this movie Ajussi means Uncle.

Finding Mr. Destiny | 김종욱 찾기 [ Movie Review ] ★★★

The Pitch

Fans of Korean popular TV drama "Coffee Prince" will be anticipating this movie as this will be Gong Yoo's first movie after his two years military service. Fans of Woochi and I'm a Cyborg, but that's OK would probably want to catch this movie for actress Im Soo-Jung's involvement.

The Plot

Despite coming to the end of marriageable age, musical stage manager Seo Ji-Woo (Im Soo-Jung) just turned down a wedding proposal from a pilot. It was because she couldn't forget her first love Kim Jong-Ok. They met during a trip to India ten years ago and lost contact with each other during their respective flight back to Korea. 

Meanwhile, Han Gi-Joon (Gong Yoo) just got fired from his job as a travel agent. He decided to bunk in with his brother in law workplace and start a new business venture in assisting people in finding their first love.

Seo Ji-Woo's dad became worried as his daughter ain't getting any younger. He came across Han Gi-Joon's business flyer and forced Seo Ji-Woo to hire Gi-Joon's service so that she could get over her first love. After some initial unwillingness on Ji-Woo's part, Gi-Joon managed to convince her to travel all over Korea to find Kim Jong-Ok. It's not an easy teamwork as both of them couldn't stand each other quirks.

But like all typical romance movies, the unlikely couple will find something special in each other during the journey. The real question is, what would happened at the end of the search for Kim Jong-Ok? Will there be a happy ending for our protagonists? or someone gotto let go of the new blossoming romance?

The Perspective

Initially Finding Mr. Destiny was all over the place. Switching over from India to Korea and back, intersecting with the introduction of Han Gi-Joon and Seo Ji-Woo, it became a little difficult to follow, specially for one who are not familiar with Korean stars like Im Soo-Jung and Gong Yoo. It was patchy and disorienting for a while before one could settle down the various character's motivation and hurdles that they need to get through.

The movie also had an excessive amount of supporting characters and subplots that did very little to enrich the budding romance between the unlikely couple. Parts like the older performer with diva problem and a pop star who is constantly late. There's even a musical performance to showcase Im Soo-Jung's talent which felt like an extra padding to the movie. I am aware that this movie is based on a successful musical in Korea but it just felt out of place here.

Otherwise, there are some nice comedic touches in Finding Mr. Destiny and overall entertaining. The chemistry between Im Soo-Jung and Gong Yoo was adequate to sell their blossoming romance to the audience. It could have gone through better structuring and trimming of those unnecessary characters and subplots. I got a feeling that the target audience here would be the Fans of Korean romance drama and judging from the crowd reaction, I got a feeling that Finding Mr. Destiny had achieve their objective.
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The Haunted House Project | 폐가 [ Movie Review ] **

Blair Witch Project ~ Kimchi Style

The Haunted "Insert you choice of residence" movie is a popular horror film choice. Especially in Asia film industry where you can easily find a handful movies that use their location as the horror device. Needless to say, it's already a very overdone horror genre. In order to "differentiate " itself from it's Asian peers, The Haunted House Project took the Blair Witch Project way.

Ironically it does not "differentiate" itself too much from the Shaky Cam genre that The Blair Witch Project had established many many years ago.

Like many Shaky Cam horror genre, there will the initial setup of how a tape was found from a haunted venue and we are viewing what had happened horribly to some folks with a videocam. In The Haunted House Project, we get a group of six (a producer, a cameraman, a sound woman and three members from a Korean paranormal online club) investigating the haunting of one infamous location.

Rumor has it that this haunted premise has a horrible past. A successful businessman was caught having affair and it was said that the wife killed her husband lover. Dumping her in a pool nearby their factory, the ghost of the lover came back to massacre the couple and their kids. Ever since then, residents had reported weird sightings at that location. Authorities tried unsuccessfully to clear the pool. The place remained unsold and avoided until this group of six decided to venture in for some spooky adventure.

The problem with this type of shaky cam horror movies would be that it has a very rigid structure to follow and it can get rather boring (not to mention un-cinematic to watch) if you have your fair share of shaky cam horror movies. Since we are watching a tape that found at the haunted house, it's quite obvious that no one will be making it out alive. The victims can't die too soon as the panic mode (or I call it the shaky ground / feet shots) will occur and viewers won't be able to see much. Therefore we get the introduction, the exploration and the occasion spooks (which would not result in any fatality) to fill up the bulk of the movie.

Another problem with a Shaky Cam film would be the aspect of incorporating realism of an actual documentary filming gone bad. It made a mistake of adding mosaic effects to cover up possibly  objectionable images. Now while you can do it with a editing software, I am pretty sure that up to today, there isn't one videocam that could mosaic certain portion of the film so nicely (as it did in the film).

But then again, it's not that bad. The "scare a min" tactic in this film was quite well done and timed to get the maximum spook from audience. The comeuppance for this intruders were fun to watch but it's too late and too short to make it more enjoyable. There were also a few eye candies in the cast that helped make following the major bulk of this movie less dreadful.

Perhaps it's a personal dislike for this type of movies making. Using realism as an excuse, it's a cheap way of making money. Just find a remote location, a bunch of unknown actors and some camera tricks, you get a cheaply made horror flick that could rake in lots of money. In today's youtube generation that are accustom to such video would probably have no problem with it or even embrace it. There will also be fans of horror genre and this type of filming that have no problems lapping this up. For me, the novelty factor of Shaky Cam had worn off since the Blair Witch Project and REC and should be put to rest soon (that is unless they managed to find some ways to break this mold).