Kung fu Jungle | 一个人的武林 [ Movie Review ]

Pitch: I wasn't keen on watching Kung Fu Jungle. Donnie Yen's previous action flick Special ID and Wang Baoqiang's villainous role in The Fairy Tale Killer were pretty disappointing. But after a fellow movie buff friend's recommendation, I decided to this movie a chance and see how bad can it be.

Plot: Three years ago, Mo Hahou (Donnie Yen) surrendered himself to the police for accidentally killing marital arts opponent. In prison, he saw a news report about an unusual murder case and offer his aid to Inspector Luk Yuen-Sun (Charlie Young) to capture the killer in exchange for his freedom. Will they be able to stop the killer (Wang Baoqiang) who is on a vicious killing spree?

Perspective: Kung Fu Jungle turns out to be much better than I had anticipated. Right at the start, I knew that there's something special about Kung Fu Jungle. The numerous cameos and the manner that this movie romanticize with martial arts / kung fu made viewing this movie a wonderful treat. The end credits confirms my suspicion that this is a homage to the unappreciated crews that gave us years of enjoyable Hong Kong action movies. It was heartfelt and long overdue, specially in an era that Hong Kong action movies are even more at risk these days.

Donnie Yen performance was much better in Kung Fu Jungle than Together and Special ID. It was mainly due to the fact that the filmmakers in this movie knew how to play to his strength. It also made me realize that Donnie Yen has limited acting range. He tends to excel in roles that calls for a restrained personality (eg. his characters in Ip Man and Peter Chan's Wu Xia). But when he tries to take on emotional roles or a wilder range of personality (like a undercover cops), it tends to end up as a awkward mess.

Wang Baoqiang was surprisingly good too. His craziness was well control and it didn't go over the top like his previous role in The Fair Tale Killer. It made it easier to sympathize with his character.I don't think he is an action star but there were some scenes that I wonder how it was filmed. Did he performed the stunts or was it expertly choreographed / edited to make him look like a menacing martial arts killer?

However, there are some faults with Kung Fu Jungle. Realism in police procedures was obviously threw out of the window and certain aspects of the story was skim through without much thoughts. It felt like the focus was to tell a Silence of the Lamb-ish story with Kung Fu. It's not grounded in reality but Kung Fu Jungle provided an entertaining homage to the personals that made Hong Kong action movies great and for that, I am not going to nitpick much.

Rating: ***

The Wedding Diary | 结婚那件事 [ Movie Review ] ★★★

The Pitch


This year, there's three Asian movies that is out to cash in on celebrate the Valentine Day season. From Hong Kong - China, there's Romancing in Thin Air. From Taiwan - China, there's Love. Last but not least, from Singapore Malaysia, there's The Wedding Diary. 

The Wedding Diary is a comedy about the difficulties in preparing and executing the most important day in a couple's life. It features artists across the straits such as Ah Niu 阿牛 (Anniu), Elanne Kwong 江若琳, Kara Hui 惠英红, Zhu Houren 朱厚任, Marcus Chin 陈建彬, Chris Tong童冰玉 , Shaun Chen 陈泓宇 and Maggie Theng 邓妙华.


Ah Niu's recent debut as a director and leading actor for  Ice Kacang Puppy Love was pretty impressive. The Wedding Diary marks the second time for Ah Niu in the leading role. Not bad for a guy who don't really fit the usual handsome suave stereotype for a male lead in a movie. It would be interesting to see how he fares in this movie.

This review is made possible with special thanks to Clover Films.

All's Well End's Well 2012 八星抱喜 [ Movie Review ]

The Pitch

When it comes to Chinese News Year period, the other activity beside celebrating new year at relatives and friends' house, it would probably be a trip to the cinemas for a He Sui Pian (贺岁片 Chinese New Year Movie).

In recent years, Raymond Wong and Eric Tsang had been consecutively churning out authentic He Sui Pian (贺岁片 Chinese New Year Movie) for the Chinese New Year period. This year, Raymond Wong is back with another installment of the All's Well Ends Well franchise and Eric Tsang has another installment of I love Hong Kong.  

All's Well End's Well 2012 八星抱喜 features the likes of Sandra Ng, Donnie Yen, Louis Koo, Kelly Chen, Chapman To, Lynn Hung, Yang Mi and Raymond Wong.

The interesting point would be to note that who has the better He Sui Pian and who takes in the biggest slice of the He Sui Pian Box office. Since it's impossible to gauge who is the winner in this box office until the end of the Chinese New Year period, let's just see who has the better Hei Sui Pian.

Dance Dance Dragon | 龙众舞 [ Movie Review ] ★★★

The Pitch

Last year He Sui Pian (贺岁片 Chinese New Year Movie)  winner in Singapore box office was the local movie "It's a Great Great World". It made $2.43 millions, beating the likes of Raymond Wong's "All's Well, Ends Well 2011 最強囍事 2011", Eric Tsang's "I love Hong Kong" and Jack Neo's Homecomings.

This year Kelvin Tong (director of It's a Great Great World) and an ensemble of Singapore / Malaysia actors are back with another He Sui Pian call "Dance Dance Dragon". Kelvin Tong will be taking on the duties of a producer while handling over the directing duties to his long time collaborator Kat Goh.

Dance Dance Dragon is set up to celebrate the upcoming year of Dragon with the anticipation of the baby boom period in 2012 (Most Chinese believes the Dragon Year is the most auspicious time to have a baby). It's going to incorporate Dragon dance and perhaps other forms of dancing into the movie (hence the title Dance Dance Dragon).

 Dance Dance Dragon features local celebrities like Adrian Pang, Kym Ng and Dennis Chew (who is starring in this movie with his popular Aunty Lucy persona). Malaysian veteran actress Lai Ming is back again in another Singapore movie and personally, she is a delightful actress to watch out for.

But the biggest question remains. Will "Dance Dance Dragon" be able to repeat "It's a Great Great World" financial success at the box office this year? Let's wait to find out.

The Great Magician | 大魔術師 [ Movie Review ] ★★★

The Pitch

Without looking at the plot premises, The Great Magician 大魔術師 was already alluring with the people involved with this project. It has a stellar cast of Tony Leung Chiu Wai, Lau Ching Wan and Zhou Xun. Three actors had all impress me with their performance in respective movies (Happy Together, Hero, Mad Detective, My Name is Fame, The Flying Swords of Dragon Gate & The Message - just to name a few) in the past.

Beside the cast, The Great Magician is directed by Derek Yee. Like the cast, I enjoyed the director's previous works (C'est la vie, mon chéri, Full Throttle, Viva Erotica and Triple Tap) and I have yet to find a disappointing movie from him.

On a closer look, The Great Magician seemed to share a similar premise with Edward Norton's The Illusionist. A magician taking on a dictator for the affection on a woman. It's a pretty good movie and even if The Great Magician ends up as a rehash of The Illusionist, I am still looking forward to how this collaboration between Derek Yee, Tony Leung, Lau Ching Wan and Zhou Xun would turn out.

Turning Point 2 Laughing Gor Returns | Laughing Gor之潛罪犯 [ Movie Review ] ★★★

Laughing Gor is quite a "cultural" phenomenon in the Hong Kong entertainment scene. This undercover cop character was a supporting role in a Hong Kong TVB television police drama E.U (Emergency Unit - which was already a third installment to The Academy series). While undercover cops characters and angle had been done numerous times in Hong Kong films and tv series, Laughing Gor managed to gain so much popularity until the character / actor got a movie and drama series spin off.

First was the movie Turning Point that was supposedly meant to chronicle the Laughing Gor's times before the events in E.U. However it wasn't a faithful prequel as there are a few events that contradict with what happened in the television series.

TVB "corrected" those problems by making another spin off television series called Lives of Omission. This new television series became a replacement series that correct the contradiction between E.U and Turning Point. After Lives of Omission, it seems that Laughing Gor is still pretty much sought after and that why there's Turning Point 2 Laughing Gor Returns ( Laughing Gor之潛罪犯 ), a movie that directly ties in with events that occurred in Lives of Omission.

Turning Point 2 starts off with Laughing Gor (Michael Tse) being sentenced to life imprisonment for killing So (Bosco Wong). But for Hong Kong's most beloved undercover cop, it's never that simple. It turned out that Laughing Gor is in a new mission to gather more information on Tai Chit (Chapman To) a former Narcotics Bureau Station Sergeant who admitted to corruption but refused to reveal the identity of his accomplice.

Soon afterwards, a trained psychologist Professor Fok (Francis Ng) is imprisoned for drug dealings. The mysterious Professor is not a simple man. As soon as his jail term starts, he demonstrated his ability in analyzing people and manipulating people's mind. Laughing Gor soon realized that the Professor is interested in Tai Chit too. To add on to his dubious character, Laughing Gor also noticed that So's wife, Paris (Kate Tse) has been visiting Professor Fok and they are in a strange loving relationship.

What is Tai Chit withholding? Who is this mysterious Professor Fok and what is he up to? Why is Paris hooking up with the Professor when she should still be in the mourning for her dead husband. It all adds up to a big confrontation with the new head of police, the drug lord of the golden triangle and a diabolical plan to change the system.

There are a couple of things that I noticed about Turning Point 2 Laughing Gor Returns. The first and foremost would be that this movie relies heavily on the events in Lives of Omission and how it affected characters like So and Paris. Even though there's flashbacks to the last few episodes of Lives of Omission, it can get rather disconnecting. If it's impossible to access the television series, at least try to read up with Wiki page on it.
 
The second thing would be that Turning Point 2 played out like the third installment of Infernal Affairs. In order to move on, it adds new characters in by writing new background stories that wasn't established in The Omission of Life. In a way, it's a major retcon to what's been established, particularly to Laughing Gor killing So at the end of Lives of Omission. Some might like it and some might not. Personally, I thought it was a rather intriguing retcon and it kept me entertained throughout the show.

It's also quite strange that Michael Tse's screen time as Laughing Gor has been dramatically reduced for a lead role. It's filled with unnecessary characters like Carmen (Janice Man), Laughing Gor's handler and comedic performance of MC Jin as Officer Yeung that did very little for the story or Laughing Gor's story. It doesn't help when Michael Tse's co stars, Francis Ng, Chapman To and Kara Hui are stealing the show from the lead. It's like what Anthony Wong, Eric Tsang and Francis Ng (again) did in the first Turning Point movie, out shinning Michael Tse's performance.

In summary, I am still waiting for Michael Tse to impress me with his Laughing Gor character. I am still not getting the hype and popularity of this undercover cop. But that not to say that Turning Point 2 Laughing Gor Returns isn't without it's entertainment value. The retcon was fun to watch and the supporting cast of Francis Ng, Chapman To and Kara Hui are ever reliable in their respecting roles. Turning Point 2 comes recommended and probably highly recommended if you are a fan of Lives of Omission.


Rating: ***

East Meets West 2011 | 东成西就 2011 [ Movie Review] ★★

The Pitch

Back in 1993, director Jeffrey Lau and a group of well known Hong Kong celebrities of that period, gave us The Eagle Shooting Heroes 东成西就, a memorable parody of Louis Cha's The Legend of the Condor Heroes (射雕英雄传). Folks who had seen it would probably remember the Tony Leung's sausage lips gag, the centipede torture and many more. Needless to say, it was one of Jeffrey Lau's outstanding works in his long history of "Mo Lei Tau" comedies.


Flash forward to today, director Jeffrey Lau is back with another 东成西就 (East Meets West 2011). Although it's not a parody of The Legend of the Condor Heroes, it follows the same format of having an ensemble of the famous stars in the current Hong Kong / China entertainment field. While a handful of them are famous enough to match their 1993 counterparts, the rest are mainly made up of relatively new stars and folks whom I have not heard of. Other than that, it features Kenny Bee, the only actor that appeared on both movies.


Personally, I am a fan of Jeffrey Lau's movies. Even though he had some misses (eg A Chinese Tall Story), he also help created some of the classic Mo Lei Tau comedies from Hong Kong (A Chinese Odyssey, All for the Winner and etc). Although his recent features (Just Another Pandora's Box and The Fantastic Water Babes) were panned by most online reviews that I had came across, I thought they were pretty enjoyable. Here's hopping that Jeffrey Lau would be able to achieve something special with this ensemble that makes this new update East Meets West 2011 worthy of it's Chinese title 东成西就. 


The Plot

Funny Meh?

Xiaoming (Karen Mok 莫文蔚) and her father Ah B (Kenny Bee 锺镇涛) are on the run from debt collectors. It turned out that Jia Jia (Huang Yi 黄奕), Ah B's unreliable wife (who also happened to be Xiaoming's ex classmate and stepmom) had accepted a deposit to set up a concert featuring the Wynners (Kenny Bee's famous Hong Kong pop band from the late seventies to the early eighties). It's an impossible mission as all the members of Wynners (except Ah B) are too busy to perform in this concert.

While the father and daughter are on their way to rescue Jia Jia from Mainland tycoon Zhou Dong (Eason Chan 陈奕迅), they came across a eccentric taxi driver Wen (William So 苏永康) who happens to be fanatic actor wannabe. On their quest to form a musical group, they came across Jade (Sitar Tan Weiwei 谭维维) a rich man's daughter who left the life of wealth for a musical career and her money minded butler Bing (Jaycee Chan 房祖明). Before they could make their way to meet Zhou Dong to rescue Jia Jia, they had a fiery car crash accident with Da Xiong (Ekin Cheng 郑伊健), a mute dumpling chef.

Da Xiong's son witness how these group of individuals became superheroes during the accident and escaped unscratched. He told the survivors that they were seven immortals that's been betrayed and killed by the eighth immortal. The legend has it that they are destined to be reborn as humans with no knowledge of their past and eventually, they would have to fight the evil eighth immortal. Naturally, the kid was dismissed as a liar until they found out about their supernatural power.

I like how you cut my hair ...

Meanwhile, Xiaoming became smitten by Zhou Dong and came out with a wacky plan to hold the "Wynners" concert. Things were going well until a shadowy mysterious figure (Stephy Tang 邓丽欣) came and wreck havoc. In times of distress, the seven individuals transformed into super powered heroes to rescue the concert goers from the destruction.

Could this be the eight immortal that they been waiting for? Will these seven immortals survive the battle with the power hungry immortal when their previous incarnations had failed?


The Perspective

East Meets West 2011 was a major disappointment. I am not sure if there was any creative inputs from the China bosses but since it's Jeffery Lau's name on the writer and director credits, he probably should bare the major bulk of this disparage. In recent years, his movies had suffered from his self indulgence with his sense of comedy and story that interest him. Sometimes, it hits the right spot but in East Meets West 2011 case, it was a horrid waste of time and talent.

But how do you critically review a "Mo Lei Tau" (nonsensical) movie? I am going to compare it with The Eagles Shooting Heroes and Just Another Pandora's Box, two of previous Jeffery Lau's movies.

Both East Meets West 2011 and Just Another Pandora's Box suffered from patchy storyline but what helped Just Another Pandora's Box was that it didn't have to suffered from the overcrowding of "main" characters in East Meets West 2011. There was a central love story of Ronald Cheng's character and the Rose fairy (Betty Sun) with the rest of the stars as supporting characters to that love story. In East Meets West 2011, all the "stars" are laden with their own stories and around the halfway mark, it seemed that the director realized that the movie had to focus on the main love story that revolving between Xiaoming (Karen Mok) and Zhou Dong (Eason Chan). Subsequently all the other subplots were either minimize or abandon.

Nothing for me to do?

Of all the characters that were affected, Ekin Cheng's Da Xiong and Huang Yi's Jia Jia suffered the most. It seemed that there were some build up between Da Xiong, his son and his ex wife but nothing was made up of it. Jaycee Chan had a special appearance / cameo billing but it turned out that Ekin Cheng had less screen time or things to do in this movie.

Ekin Cheng might not be the most talented artist around these days but among this cast, he is one of the most well known and to see his role reduced into a forgettable cameo, it's just kinda sad.

Likewise, Huang Yi's Jia Jia character was destined to have a never ending feud with Xiaoming. After a few squabblers, her character was discarded and were only brought back for some gags. Their resolution came quickly and there was very little emotional impact between the two. It makes one wonder why bother with her character at all. Just another waste of talent.

Are We Stars?

lucky they hide half my face

Comparing East Meets West 2011 with The Eagles Shooting Heroes, the first and foremost thing that's lacking was star factor. Given that Eason Chan, Karen Mok, Kenny Bee and Ekin Cheng are all well know personalities in the Asian region, the rest of the East Meets West 2011 stars are not exactly stars qualities (as compared to their counterparts in The Eagles Shooting Heroes). Who is this Sitar Tan Weiwei? Will Jaycee Chan still have a career in the entertainment business if his father is not Jackie Chan? Is William So still singing? I also wonder if Stephy Tang is popular in the Singapore market?

Movies of such nonsensical nature requires a certain star quality to it. It would allow the audience to like the characters quicker as there's hardly any material in such genre to do such buildup. It also allows comedy to arise from a play in their well known personality. These are stuff that you can't do with a relative bunch of unknown / wannabes / up and coming stars. It's possible to do such nonsensical comedy with relatively unknowns but they must have a strong sense of comedy and comedy performance. As again, it's lacking with those that's picked for this movie.

Beside that, the handling of the characters was a mess in East Meets West 2011. There were just as many characters in The Eagles Shooting Heroes and yet they well woven to support each other stories. In East Meets West 2011, you could remove a few of the characters and it wouldn't affect the gist of this story. That how disposable the characters are in this movie.

Last but not least, what The Eagles Shooting Heroes and Just Another Pandora's Box had that East Meets West 2011 didn't was that most of the characters from the previous spoof comedies were well known. Even though some of the eight immortals names sound rather familiar, I believed that they were mainly characters that made from scratch and it's just difficult to handle so many characters at the same time.

East Meets West 2011 might have been better if the focus was on Karen Mok and Eason Chan's character from the start. Reduce the other star roles into secondary supporting ones like the ones in Just Another Pandora's Box and remove all traces of their background stories. This movie had a fairly good theme of redemption and pure love. It just a pity that it muddled the story with allocating screen time for the stars.


Rating : **

You are the Apple of My Eye | 那些年, 我们一起追的女孩 [ Movie Review ] ★★★★1/2

The Pitch

Touted as Biggest Ever Opening Day and Weekend Box Office for a Taiwanese film (remained as Taiwan Box Office champion for three weeks), You are the Apple of My Eye ( 那些年，我们一起追的女孩 literally means The girl that we wooed during those years ) marks a revival of Taiwanese films that getting commercial release here in Singapore. This coming-of-age movie is based on a popular autobiography book by Giddens (九把刀 or Nine Knives) and it's selling like hot cakes in Hong Kong (No.1 at Hong Kong box office and out selling it's nearest competitor Life without Principle by about 2.65 times). 

What makes this school days romance movie so popular in Taiwan and Hong Kong? The trailer gave the impression that it's going to be another routine romantic comedy with good looking actor and actress. The director. Giddens is primarily known for his novels and this movie somewhat marks his first directorial debut. To have such a result for his first main feature is pretty impressive. 

Perhaps there's something special about this box office champ that getting a commercial screening like it's predecessors, Monga and Cape. No 7. Let's find out what the X-factor in this movie.

The Plot

The movie started with the introduction of the protagonist, Ko-Teng (Ko Chen-tung 柯震東) and his close friends. They are distinctively different with their own special quirks However all his friends had something in common and that's having a crush with the class monitress, Shen Jiayi (Michelle Chen 陳妍希). For the longest time, Ko-Teng could not understand why his friends got the hot for her as he felt that she was only slightly prettier than the rest of the female classmates and there's nothing special about her.

After getting into trouble with their homeroom teacher, Ko-Teng was made to sit in front of Shen Jiayi. Being one of the top students in school, Shen Jiayi was tasked to keep close tabs on him and supervise his school works. The two of them resented the arrangement initially and started bickering until an incident in class changed the dynamic between them.

Shen Jiayi started to prepare extra homework for Ko-Teng and forced him to stay back after class for revisions. Romance blossom between the both of them but the usually outspoken Ko-Teng couldn't find the courage to propose to Shen Jiayi. With graduation looming, could their puppy love withstand the long distance test as they head towards different universities?

The Perspective 

You are the Apple of My Eye turned out to be surprisingly good. I didn't have much expectation for this coming-of-age romcom but it came out of nowhere and stole my heart. Without any surprises for this coming two months, You are the Apply of My Eye is likely to emerged as the best movie of 2011 for me. If I would to narrow down why this movie worked for me, it would because this movie got heart and soul. It wonderfully captures the wooing process and school days romance. Folks who had "similar" experience at school, they would find this movie easily relatable and heart wrenching in many ways.

Before lapping it with more praises, this movie isn't without it's faults. Some jokes and gags missed the spot entirely. At times, the movie can get rather crude, long winded and even tedious to follow at times.

But the payout at the end made all the wait worthwhile and the flaws forgettable. Especially the last ten minutes of this movie when all the build ups came into a satisfying wrap up. It was said that the director had decided to make this movie when the idea for the closing moments came to his mind. It was an excellent decision as the ending was one of the most beautiful yet poignant endings to coming-of-age school days rom com.

One of the biggest discovery for this movie would be Giddens, the director cum writer for this story. I have not read any of his Chinese novels and this first encounter with his work had impressed me much. He is pretty talented in telling a story and has an inventive touch in approaching materials that had been done to death. If imagination is intelligence having fun, it's not hard to see that Giddens is having a hell of time with this movie.

He had also made a good casting choice for this movie. You are the Apple of My Eye worked due to the casting for the two leads. Michelle Chen is lovely to watch and possess a certain special on screen flair that makes it easy to believe that so many guys would fall for her. Without her to breathe life into the objection of affection in this movie, You are the Apple of My Eye would not have work this well.

Likewise, the hunky newcomer Ko Chen-tung turned in a pretty good performance. As the protagonist, he had to carry the bulk of this movie and he did it in an effortlessly charismatic fashion. Whether the scenes  requires him to be comedic, suave or downright emotional, he managed to aced most of those scenes. Without a doubt, I will keeping tabs on these two actors future works.

After recommending this movie to a fellow movie lover, I was told that this type of movies come every five or ten years. The movie does have it's flaws but the heart of this move could easily hide those flaws. Highly recommended for those who wants to reminisce about their school days romance or currently going through some form of dilemma in romance.

Rating: ****1/2

Coda

During the credits roll, there are some scenes of the boys heading to play baseball and talk about their future and writing a book that this movie is based on. The real fun would be at the end of the credit roll when the director played a prank on Michelle Chen. Definitely worth staying back for.


Beyond the Movie

Sadly, this popular movie had cause much distress to the real Shen Jiayi. She had to take a year off from work and left for China to escape the Taiwanese press and the "overly resourceful" online fans. It seemed that the director / writer Giddens Ko was equally affected by the success of his movie and the trouble that it's causing for the apple of his eye that he is avoiding any talk about her to the press.

Overheard 2 | 窃听风云2

Manson Law (Lau Ching Wan), a celebrated stockbroker in Hong Kong is injured in a car accident. The police, led by Inspector Jack Ho (Louis Koo), discover a military surveillance device in the car wreck.

Meanwhile, the wiretapper Joe (Daniel Wu) is unveiling his extensive plan that targets the mysterious financial conglomerate, the Landlord Club. The fate of these three men soon intertwines in the cat-and-mouse game that may bring down the entire stock market.

(Plot Outline taken from Cathay)

The Fortune Buddies | 勁抽褔祿壽 [ Movie Review ] ★★

The Plot

The Fortune Buddies follow the adventures of three hapless friends. Lam Luk (Wong Cho-lam), Jit Sau (Johnson Lee) and Fook Cheung (Louis Yuen) are three jobless guys who are often waiting at the employment agency to change their life.

Luk would like to settle down with his girlfriend (Fiona Sit) but the potential father-in-law (Eric Tsang) would like to test Luk abilities in taking care his daughter. He gave Luk a sum of money and a time frame to transformed it into five hundred thousand dollars.

Given their current jobless situation, it's almost an impossible task but Fook and Sau are determined to help Luk achieved his dream. They decided to perform as drag queens at Mongkok's Sai Yeung Choi street. It didn't help them earned much but after a fight with another group of drag queens, they found fame online (courtesy of online video streaming). 

To capitalize on their new found fame, they decided to perform wrestling on the streets. What they didn't expect was a challenge from a foreigner and a surprise win for Fook, Luk and Sau. Their victory were once again loaded onto the internet and they became even more popular. What they couldn't predict was that the foreigner turns out to be a pro wrestler and was humiliated by the defeat. A challenge was issued to the trio and it comes with a reward that they couldn't refuse.

In between Luk's quest to win his girlfriend's father approval in marriage, there are subplots pertaining to Fook and Sau's past and their conflicts. Sau claimed to be a rich man son who left the wealthy life so that he could pursue the woman of his dream (Samantha Ko). Meanwhile Fook is a single dad who refused to let his successful ex wife (Fala Chen) reunite with his son. All their problems will come to an resolution in the wrestling ring.

The Perspective

This movie is made in 20 days and it really showed. It's made in a He Sui Pian movie format (Asian movies made specially for the Chinese New Year period, usually a joyful comedy with plenty of cameo & weak plotting) but it's still a long way to go till Chinese Lunar New Year. After the movie ended, the first thing that came into my mind was "Why was this movie made?".

It seemed to served no purpose. The nearest Chinese Festival would be the Mid-Autumn (Mooncake) festival and it won't be here till September. It's unlikely that this movie is made to celebrate the Chinese Ghost festival. So why is this movie being made?

The production for this movie felt rushed. The story felt more patchy than the average He Sui Pian. It seemed like there were very little thought process given to link the various plotlines together. In fact, it felt like a series of television sketch that's been pasted together and the whole point of this movie was to deliver a gag after another.

That brings us to another problem with the movie. Some of the jokes were funny but most of the jokes weren't. For every one scene that cracked me up, there were many other sketches that fell flat.  I must admit that the jokes might be diluted by the Mandarin dubbing but even so, it's a far cry from "I love Hong Kong" or "72 Tenants of Prosperity". There were also plenty of references to the current trends and pop culture of Hong Kong that didn't strike a chord with this Singaporean viewer. I find them hard to relate and even harder to be amused by it.

Personally, I always enjoyed Louis Yuen, Wong Cho Lam and Johnson Lee's performance. Even when they are just a supporting act in a Hong Kong TVB series. I also have a soft spot for Fiona Sit and Eric Tsang had been tickling my funny bones since I started watching Hong Kong comedies. However there's very little material in The Fortune Buddies to bring out the best in them. I liked to see more of them but it's also hard to recommend this movie. Perhaps one could wait for the telly to broadcast this movie because there's no real lost waiting till then.


Beyond the Movie

Each of the three main characters' name contain a word that forms Fook Luk Sau (or Fu Lu Shou in Mandarin ). Fook Luk Sau are the Deities of Good Fortune, Prosperity and Longevity. These three Deities are very popular in Chinese culture.

Wu Xia | 武侠 [ Movie Review ] ★★★★

The Pitch

Director Peter Chan is back with another movie and this time, he attempted to approach Wu Xia films (a broad genre of Chinese fiction concerning the adventures of martial artists) with a new angle. With a touch of forensic science mix with traditional Chinese medicine theory and acupuncture, he team up with Donnie Yen and Takeshi Kaneshiro to present a tale of a reclusive martial artist and his clash with an upright detective.

This film also features two interesting individuals in supporting role. Tang Wei who started her career with Lust, Caution had caught Peter Chan's attention with her performance in Crossing Hennessy. She have been cast as Donnie Yen's wife and it's been said that her performance was so good that the director had extended her role / screen time.

The other individual would be the legendary actor Jimmy Wang Yu who is well known for movies like The One-Armed Swordsman and the Chinese Boxer. A dream project come true for Peter Chan and Donnie Yen as they grew up idolizing his swordman movies.

The Plot

Liu Jinxi (Donnie Yen) with his wife Ah Yu (Tang Wei) and their sons lived a normal life in a remote village.  He appeared to be a ordinary unremarkable paper mill worker until he intervened in a convenience store robbery and killed the robbers.

Detective Xu Baijiu (Takeshi Kaneshiro) is tasked to investigate this case and his detective skills gave him a hunch that there's something more than meets the eyes here. Baijiu's relentless pursuit in uncovering Jinxi's true identity and past opened a can of worms. The head (Jimmy Wang Yu) of the fearsome criminal gang "the 72 Demons" became interested in Jinxi's identity and send his killers to verify Baijiu's investigation. 

Character Poster Set

Treasure Inn | 財神客棧 [ Movie Review] ★★★

Short Takes

Director Wong Jing is back with another China production. Thankfully Treasure Inn was much better than his last theatrical movie Future X-Cops. Even though it's still catered to the China market (i.e blatant  usage of China actors and some obvious hold back in crude humour), Treasure Inn is a film that easy to sit through.

Treasure Inn follows two low ranking constables who were investigating massacre at the city's richest man. Following the trail of the stolen life size white jade of the "Goddess of Mercy", they encountered a pair of twin sisters known as the "Reward Money Hunters". Pooling their resources together for the reward money for recovering the white jade, they head towards the infamous Treasure Inn where all the precious stolen goods get auction there. 

The spoofs on Tsui Hark's upcoming 3D The Flying Swords of Dragon Gate (or the 90s version of New Dragon Gate Inn) and Stephen Chow's Kungfu Hustle were pretty obvious. Although these spoofs were not very inventive, they were still entertaining to spot. These spoofs and the comedic elements in this was a mixed bag. Some where laugh out funny and some just totally missed the spot.

Nicholas Tse who is currently dodging the media for the latest news on his marriage breakup was pretty effective as a eye candy. Compare to his recent movies, there nothing here to stretch his acting range and to some, that's a good thing. Bland but pleasant.

Likewise for Charlene Choi as the irritating Water Dragon Girl who is smitten by Nicholas Tse's character and is constantly worried that he would abandon her for the lady owner of the Treasure Inn. I wonder how long can she keep up in such fluffy flower vase roles.

Nick Cheung stole the show with funny one liners and comedic showmanship. He hasn't been this funny for a long time. Partly due to his choice in making serious movie these recent years. Or perhaps it's the partnership with  Wong Jing that Nick Cheung was so funny in this one. If their collaboration could result in such consistent standard, Nick Cheung should forget the dramatic roles that gives him film awards nomination and crave out a career that cement on comedy. 

Bottom line for Treasure Inn is that while it's not that good that you have to shell out movie ticket money to catch it in the cinema, it's won't be that bad if you did it anyway.

The Detective 2 | B+侦探 [ Movie Review ] ★★ 1/2

The Pitch

In the original Oxide Pang's The Detective, Aaron Kwok's Chan Tam was a C+ Detective (a C grade detective). In this sequel, Tam gets a "promotion"after solving the case in the original movie and now he is a B+ Detective.

While the original movie wasn't as well known as Oxide Pang and Danny Pang (the Pang Brothers)'s The Eye, it was definitely better than Forest of Death and other crappy stuff that they have been churning out. There's something about C+ Detective that stood out even though the story wasn't that good (C grade at best).

The thing that stood out for the first movie would be Aaron Kwok's performance as the C grade detective and his partnership with Liu Kai Chi. The last movie also captured a distinctive dirty gritty atmosphere in Thailand that hard to replicate elsewhere.

Now that the main cast from the original film are back in Thailand for another go at The Detective story, will B+ be better than a C+?


The Plot

After solving the murder mysteries in The Detective, Tam (Aaron Kwok) gained popularity as a private detective. His pal in the police department, Chak (Liu Kai Chi) had just been promoted. But they have not gotten out of the downturn yet. Tam is still hounded by moneylender and Chak's new supervisor is a tough guy to work with.

In order to help each other, Chak enlisted Tam's help to solve a new set of mysterious serial murders.

A man was stabbed to death at his home with a confession letter from his wife but the victim was a single man. A prostitute was murdered and the murderer gave the impression that she was raped when he actually used a pipe to fake the rape. A loan shark was killed at home with his penis sliced off and stored it in a jar.  A beautiful young drug peddler was killed by a pencil and her tongue has been cut out by a kid's scissor.  There are not apparent linkage between these murders but Tam think otherwise.

Before they could get any further with the investigation, Chak was assaulted by a black van and Tam was chased down the alleyways by a biker with steel rod. Undeterred by the threats and hitting a brick wall in solving the case, Tam decided to seek help from a psychopathic criminal that he helped append recently.When he was told to get into the psychic of the killer, he finds that the killer shares an eerie connection.

The Perspective

To put it bluntly, there not much improvement from C+ to B+. The whodunit aspect of this movie runs largely on autopilot and was incoherent at times. There are hardly any sensible deduction of the murder cases. It felt like the filmmaker was making the things up as they move along. The elaborate murders mysteries did not produce an satisfying revelation or explanation. To summarize, The Detective 2 is not the type of classic murder mystery movie that you go for.

But if you are going for Aaron Kwok's quirky performance as Tam, the camaraderie he share Liu Kai Chi and the general moody atmosphere that could be found in the first part, The Detective 2 isn't that bad as a time waster. It would at least draw you in with the hope that the final revelation would be worth the wait. It wasn't but then again, there are bits and pieces in The Detective 2 that were genuinely good.

Such as the scene when Chak get knocks down by a van and he could only lie helplessly on the ground while the van hangs around with murderous intent. It managed to capture a sense of helplessness when Chak had very few options in that situation. It put the viewer in Chak's shoes,  feeling the dread and wondering how could one outsmart the assailant while being immobile.

There's also a possibility of a third movie that becomes strangely an attraction. Given that both the first and second movie are mediocre at best, there's a strange unexplainable desire to catch the third movie if they ever get to that stage. I am guessing that it would be an expansion of the subplots on Tam's parents that had been brought up in the first two movies but had not been fully explored. It could be the last major case that Tam takes in part 3 when he finally becomes A+ Detective. I would attribute to the endearing factor of Aaron Kwok's Tam and his supporting acts that make me interested in finding out what happened to his parents.

A Chinese Ghost Story | A Chinese Fairy Tale | 倩女幽魂 [ Movie Review ] ★★

The Pitch

It's hard to keep a good story away but then again, it's also hard to tell a good story. A Chinese Ghost Story had already received a sequel treatment, a second sequel (which is essentially a remake), an animation and probably had a TV series or two. This is one story that most Asians know by heart and it's getting the remake treatment again.

This time round, the remake is helm by Ip Man director Wilson Yip with a new cast featuring the likes of Louis Koo (who been in almost all major recent Hong Kong movies), Liu Yifei (The Forbidden Kingdom), Yu Shaoqun (Kungfu Wing Chun), Kara Hui (At the End of Daybreak) and Louis Fan (Riki-Oh: The Story of Ricky).
 
There's a strange and unexpected twist in this rendition of A Chinese Ghost Story. Louis Koo who is obviously the lead actor in this movie had been cast as Yan Chixia (a supporting role in the original film) while China actor Yu Shaoqun would be playing Ning Caichen (the lead role in the original film). Does that means there a shift in love interest for Xiao Qian (the female lead role) or has Ning Caichen been demoted to a supporting role?

It turned out that this remake will be heading towards a love triangle between these three characters. That's something that have not been done for any of A Chinese Ghost Story franchise. Will this modification to the beloved story work? The odds are definitely stacked against Wilson Yip, Yu Shaoqun, Liu Yifei and Louis Koo right at the start. Can they spin something new out from the old tale and perhaps create a movie that could stand on par with the old one?

The Plot

This movie starts with Yan Chixia (Louis Koo), a demon slayer trainee who had been tasked to kill a fox spirit by his teacher. He was about to succeed in killing fox spirit but couldn't bring himself to do it. Later on,  Xiao Qian (Liu Yifei) the same fox spirit that were let off, ambushed Yan Chixia but instead of killing him, she became entranced with the sweets that Yan Chixia was carrying. That's how their unnatural relationship begun and things were rosy until it came to a stage that Yan Chixia was forced to either kill her or mind swipe/wide her so that she couldn't remember their relationship.

The movie then jumped forward to a sudden confrontation with the Tree Demon (Kara Hui). For some strange and unexplained reasons, Yan Chixia couldn't bring himself to destroy the Tree Demon. His hesitation caused the death of his fellow demon slayers and the left arm of his fellow demon slayer Thunder (Louis Fan). Even after losing their fellow disciples, the two demon slayers managed to captured and seal the Tree Demon up in a magical spell.

Years later, Ning Caichen, a technician sent by the courts, arrived in the village that been having droughts. He been tasked to solve their water problem and offered to scout out the nearby mountains for new water source. The villagers knew that the mountain has been cursed with evil spirits send a bunch of condemned prisoners to accompany this clueless technician.

While digging for water, they were hit by a freak storm and decided to take shelter at a nearby building. The building would turn out to be the infamous Orchid Temple where the Tree Demon resides (or being sealed in). They found a big fountain with water in it. While Ning Caichen was trying to figure out the water source for this fountain, the rest of the condemned prisoners were quickly seduced by scantily clothed nubile ladies.

Those ladies soon revealed themselves as the Tree Demon's henchmen and sucked the life out of these condemned prisoners. Meanwhile, Ning Caichen encountered Xiao Qian but resisted her attempts to arouse him. Finding that rare, she became interested in him. To sweeten the deals, Ning Caichen had sweets with him and that make him even more appealing to her.

But of course, when the spirits are trying to freed the Tree Demon with the life force of the condemned prisoners, Yan Chixia won't be too far away. Can love blossom between Ning Caichen and Xiao Qian when Yan Chixia hangs around like a jealous ex boyfriend. The clueless Ning Caichen was also planning to blast the fountain basement with explosive so that the villages could get back their water. What he didn't know would be that the Tree Demon is sealed at the bottom of the fountain.

The Perspective

The original A Chinese Ghost Story was a classic because they have a simple effective story and they have really good actors making their characters memorable. That two elements that this remake is sorely missing.

In order to give the audience something new and perhaps cater to the Twilight fans, they created a love triangle between Xiao Qian, Ning Caichen and Yan Chixia. The love triangle might have worked if there's more time to flesh out their characters and relationships. What we got here would be a super quick introduction arc to establish the unlikely romance between Xiao Qian and Yan Chixia. Then the movie went on to create the sparks between Xiao Qian and Ning Caichen while putting Yan Chixia on a back burner.

The handling was choppy and unbalanced that it was hard to feel the dilemma or conflicts that this love triangle set up was trying to achieve. It felt like a convoluted story that needs a better director / scriptwriter to tell.

Louis Koo, one of the most established actor in this lot, struggled Yan Chixia role. He had to balance between the sentimentalism of a forgotten love and the cynical demon slayer who is trying very hard not to care. There isn't much time or material in this movie for him to achieve both aspects. 

The two young China actors, Yu Shaoqun and Liu Yifei felt like a poor replacement. Their version of Ning Caichen and Xiao Qian felt like a couple of teenagers in love. There's a hollow ring to it and it's pretty uninspiring like the Twilight Belle and Edward. There's so many degree of Leslie Cheung's Ning Caichen and Yu Shaoqun could only portray it with the usual China style of naivety. Joey Wong's Xiao Qian was seductive, playful and a mix of innocence while Liu Yifei just felt like a teenager who can't seduce to save her own life.

The blossoming romance between Yu Shaoqun and Liu Yifei's characters was the bulk of the movie and yet it pale in contrast to the introductory and finale arc that depicts the romance between Louis Koo's Yan Chixia and Liu Yifei's Xiao Qian. That not to say that the romance between Yan Chixia and Xiao Qian were that convincing either but it helps to put into perspective how bad the chemistry was between Yu Shaoqun and Liu Yifei.
 
Strangely, the folks that really shine for this movie would be Kara Hui and Louis Fan. It seemed that they could really cut loose with their supporting character. Kara Hui's rendition Tree Demon was on par or even better than the original Tree Demon. Louis Fan's Thunder felt like the real Yan Chixia in this A Chinese Ghost Story mythology. 

Beside that, this new A Chinese Ghost story contains some really nice effects shots. Yan Chixia being stuck in an ocean of leaves and Thunder's floating tattoos were some of the memorable CGI moments of this movie. But then again, special effects don't really make a movie.

In closing, Leslie Cheung, Joey Wong and Wu Ma had left an indelible mark for their performance as Ning Caichen, Xiao Qian and Yan Chixia respectively. Personally, Yu Shaoqun, Liu Yifei and Louis Koo didn't bring much to this well loved characters. But without being so critical or liking the original movie so much, this remake could be a passable entertainment. It seemed that this movie is targeted to the younger generation who likes the Twilight type of love triangle and I got a feeling that they will like this one too. For me, I am listing this as a bad remake.

Beyond the movie

A Chinese Fairy Tale ???

While surfing around Wikipedia & AsianMediaWiki for more information on this movie, I was surprise to see that the A Chinese Ghost Story remake is actually named A Chinese Fairy Tale.  The Chinese title remained the same. It just that the Ghost was replaced by Fairy in the English title of this movie.

I am not sure which country will be having this movie as A Chinese Fairy Tale. I suspect that the change would be to cater to the China censors who are rather picky about showing supernatural, religious and spiritual stuff.

But then again, this movie is about fox spirit, tree demon and demon slayers. Although the talismans, Taoist priest and Monks are all missing in this remake, the subject matters are already of the supernatural stuff. It just didn't make sense.

The name change could be just some region way of distancing themselves from the classic or an attempt to attract customers to this movie without letting them know that this is a remake.

I got no idea. Is China still so stringent about supernatural elements in their movies? Their film industry are opening up rapidly and raking in all the big bucks. Are they still going to be so picky? Would be great if someone could let me know why is there a name change.

Nearer to Singapore

Apparently this movie is too much for Malaysia. Just came across a news that mention the Malaysia censor cut a sex scene between Liu Yi Fei and Louis Koo for their 18 Rated Theatrical release. It also mention that Singapore release was release with the scene intact. Frankly I don't remember that sex scene at all. Might have been too preoccupied with the thoughts of what went wrong with this movie to take notice.

anyway, the link for the article here
Sexy ghost too sexy for most?

It's a Great Great World | 大世界 [ Movie Review ] ★★1/2

Last Year Eric Tsang's 72 Tenants of Prosperity was a success at the Hong Kong Lunar New Year Box Office. The movie basically reminiscence the past with various Hong Kong movies actors and TVB television actors. This year, he is back with I Love Hong Kong and here in Singapore, we are getting It's a Great Great World 大世界, a He Sui Pian with similar structure from director Kevin Tong (Rule #1) and the Singapore MediaCorp Artistes.

For the younger folks who don't know about the Great World Amusement Park, it was one of the three amusement parks in Singapore. Back then, they were Singaporean's top choice of entertainment before the onslaught of television and shopping centers. It's kinda ironic that the movie about the Great World Amusement Park are performed with the local television actors. The same bunch of people who are drinking from the well that killed Great World. Bet you never thought of it that way.

Anyway, It's a Great Great World is a rojak mix of good stuff and the not so good stuff. There are moments that it hits the sweet spot that it was going for and there are moments that it just flounder badly.

The film starts with a young fashion photographer, Ah Min (Olivia Ong) doing a final walkthough at her late grandma (Yvonne Lim) photo studio before closure. She came across some of her grandma's favorite photo and decided to set out to find the owners of those photos. Using her grandma's phone book, she managed to locate Ah Meng (Chew Chor Meng), one of the guy in the four photos.

This grumpy old man turned out to be a lok lok (assorted dip snack) seller at the Great World Amusement Park and he went on to tell her about the four individual stories that are attached to those old photos. It felt kinda strange that for someone who missed her grandma funeral and will be heading overseas the next day for work would want to undertake such a mission. But if Ah Min never persisted in such a strange awkward mission, we won't be getting the following four stories.
 
The first story is about Ah Boo (Henry Thia), a middle age guy who getting all dress up to meet Elizabeth Taylor when she visited Great World Amusement Park's Sky Theatre for a movie premiere. He got his roses and photographer ready but his boss, the ringmaster appeared out of nowhere and forced him back to work. It turned out that Ah Boo was a clown and his boss is a meanie that like to torture his staff to amuse the young audience.

The issue here would be how the filmmakers and cast tried to squeeze humour out of the segment. Is it funny to see a drunken ringmaster bullying his performers? Is the movie trying to say that the kids back then enjoyed such mean-spirited acts? The freak show that the segment is trying to muster is so poor constructed that if that was the kind of acts performing in Great World Amusement Park, it's understandable why the park had to close down. Then there's the lame ideas of helping Ah Boo achieving his objective with Elizabeth Taylor.

However, all the issues with this segment aside, when the movie revealed the final act of the segment, it has a touching quality that was quite unexpected. It has such a heartwarming moment that made all the poor buildup bearable.

The second story is about romance between Mei Juan (Joanna Peh) a game stall vendor and Ah Leong (Zhang Zhen Huan) an ointment seller from a Malaysia kampong. While Joanna Peh and Zhang Zhen Huan looked good as a couple, the setup for these two to fall in love was weak in many ways.

For example, Ah Leong was fleeing from some unsatisfied customers who happened to be gangsters and in an attempt to get away with it, he decided to kiss Mei Juan as a cover up. It's an overused film trick that poor executed here. The situation was not properly set up to make it seems like he had no choice but to force his way with her to escape those that are chasing after him. In fact, it would have been better if he just hide behind the game table. It just hard to believe that the female game stall vendor didn't struggle harder to break away from him (and thus exposing him) and those gangsters would miss all those smooching right in plain sight.

But then again, this segment did managed to have moments that generate the sizzle between these two. Especially the part when Ah Leong dared Mei Juan to take the ghost house ride. It's easily the most funny moment of the show and in the midst of all the spooky comedy, romance between these two character started seeping through. There's also feisty moments when Mei Juan tore down Ah Leong's attempts to be suave that a delight to watch. In the end, it managed to make one root for their unlikely romance and given the weak introduction to these characters, it's impressive in it's own right.

I Love Hong Kong | 我愛HK開心萬歲 [ Movie Review ] ★★★

Eric Tsang's previous He Sui Pian 贺岁片 (Asian movies made specially for the Chinese New Year period) 72 Tenants of Prosperity 72家租客 was a success. In the battle of Lunar New Year comedies, it defeated All's Well, Ends Well 2010 at the Hong Kong box office. "Critically" wise, 72 Tenants of Prosperity was my favorite He Sui Pian since the first installment of All's Well, Ends Well( that starred a certain Stephen Chow) With the success of 72 Tenants of Prosperity, Eric Tsang and his crew are back with I love Hong Kong 我愛HK開心萬歲 to usher in this Chinese New Year.

The setup for I Love Hong Kong would be as followed.

Ng Shun (Tony Leung Ka-Fai)'s  toy business just went bankrupt and had no choice but to relocate his family into his dad (Stanley Fung)'s place at one of Hong Kong old estates. It turned out that Ng Shun is not the only one returning to the old estate. His old friend Tok Shui Lung (Eric Tsang) and his old lover So Ching (Anita Yuen) had both return to the estate too. But it was not going to be an easy reunion as they have parted in a not-so amicable situation. Ng Shun still remember how Shui Lung ran away with the estate's charity funds 20 odd years ago and caused his dad to bear the loses.

Meanwhile Ng Shun's family is finding a tough time to adapt to the new life. Ng Shun's wife Shun So (Sandra Ng) rejoined the working class to help out with the financial burden. Work is not easy as her junior staff is now her immediate supervisor and she faced bullying in the workplace.

His son Ng Ming (Aarif Lee) is having troubles relocating back to the old estate as his job as a Food and Environmental Hygiene Department staff, he had caught many of his new neighbors. To make matter worse, his girlfriend (Fala Chen) is the daughter of one such hawker (Wu Ma) that was caught by him.

Lastly, Ng Shun's daughter Ng Chi (Mag Lam) is a model wannabe. The problem is that she lacks the figure and is unwilling to wear skimpy clothing to get ahead in the model industry.

The plot escalate when Shui Long promises to revive the old estate by revitalizing the current shop houses and allocate new cheap shop houses for the neighbors to start their own business. The neighbors rushed into signing a contact with Shui Long to capitalize in a deal that seemed too good to be true. It turned out that it might just be too good to be true as external developers turned up to buy over the old estate and Shui Long is no where to be found.

Comparing I Love Hong Kong to 72 Tenants of Prosperity, this one felt less comedic and is more prone to making social commentaries on some of the Hong Kong government bureaucracy. Although these social commentaries are intermixed with comedic set up (such as how the Ng family had to frighten a housing board officer off with spook story due to potential eviction), it can come off as a little too preachy for a He Sui Pian.

The story is also not well constructed and lacks a real direction as compared to 72 Tenants of Prosperity. Was it about the bonding between Ng Shun and his family members? or was it about old friendship and trust between friends? What was the story for the youngest member of the Ng family? I love Hong Kong took on too many elements and the various story arcs didn't gel well to bring out a decent story. 

But then again, the He Sui Pian's main function would be to bring in laughter for the festive seasons and it's been a long time since I laughed so hard in cinema.

Sandra Ng is the comedic gold for her performance in I Love Hong Kong. There are two Sandra Ng scenes that made me laugh out loud. The first one would be Sandra Ng getting all wrapped up in plastic for a slimming demonstration but no one bothered to unwrapped her afterwards. The poor Sandra had to find her way back home in a wrapped up situation. It's hard not to laugh when you see a Sandra Ng activate her smartphone with her hands all tied up.

The second one would be Sandra Ng accepting a stunt double job to meet TVB Wayne Lai. Needless to say, she got whack a lot and suffered plenty of bruises from that job. This kind of comedic setup had been done plenty of times but it's still exceptionally funny due to the precise timing and editing for this segment.

There are plenty of funny moments and celebrity cameo spotting opportunities in I Love Hong Kong. Though some of the celebrities might not be well known in Singapore (or at least I am unaware of them) and the story lacks a strong main driving force, I Love Hong Kong is still entertaining to catch during the Chinese New Year period.
megaupload streaming download rapidshare fileserve hotfile torrent bit asian 下载 subtitle avi

All's Well, Ends Well 2011 | 最強囍事 2011 [ Movie Review ] ★★★

All's Well, Ends Well 2011 最強囍事 2011, the sixth installment of the Lunar New Year flick is here again. Making it the third in a row appearance for this series since 2009. There must be something appealing to this series that making the audience keep coming back for more. It's either that or they just don't know what else to do during the Chinese New Year.

The format for this series has been kept rather simple. Four different couples falling in love or rediscovering passion through various funny situations.

Clerk (Raymond Wong) is a wealthy businessman who is too busy with work. In order to pacify and keep his girlfriend, Dream (Yan Ni) busy, he bought over a cosmetic company for her to run. Clueless in running the business, Dream decided to turn to Sammy (Louis Koo) a well known effeminate professional make up artist for help.

Unknown to almost everyone else, Sammy is a straight guy who pretends to effeminate so that he could excel in the beauty industry. His lovely assistant Claire (Cecilia Cheung) is generally a down to earth, goody two shoes type of lady but strangely lacks confidence.

Having difficulties with the business, Sammy seeks help from his make up artist friend, Arnold (Donnie Yen). Arnold has a gift of understanding women and that made him a very efficient cosmetic salesman. However, the only one woman that he couldn't figure out would be his ex girlfriend Mona (Carina Lau), a failed writer who is constantly immersing herself into the roles that she is writing.

Meanwhile, Smoothie a billionaire (Chapman To) who is having the break up blues with ex girlfriend (Lynn Huang). Unexpectedly, he meets Claire and developed feelings for her because she is not a gold digger. Though there are many women throwing themselves at Smoothie, he realized that he has no experience in wooing someone who is absolutely not interested in his wealth. He seeks Sammy's help in pursuing Claire and romance blossom with a strange twist.

When it comes to a He Sui Pian ( 贺岁片 Chinese New Year Movie ), it's usually going to be a feel good comedic movie that not very well scripted. All's Well, Ends Well 2011 has a couple of segments that were poorly written.

For example, there's a segment where Sammy was instructing Smoothie on how to propose to Clarie and advising Clarie on how to handle the wedding proposal. That segment felt down right silly (not in a funny way) and the humour was crudely constructed as the writer was drawing a blank on how to merge one point of the story arc with another. It was also pretty obvious who the 2nd tier supporting characters that are generally disposable. Their characters and their story arc felt so unnecessary that the wrap up for them felt utterly lazy and uninspired.

But it won't be fair to say that All's Well, Ends Well 2011 is a dreary affair. There are some moments that are rather delightful to catch. Fans of action star Donnie Yen will have a fun time watching him trade punches for brushes. It's quite amusing to see him spoofing the Ip Man character that catapult him to A list stardom in Asia. But the one thing that drawing the most laugh in this movie would be Louis Koo's effeminate performance. He had tackle various roles before but I believe this is the first time that he is portraying an effeminate make up artist and his performance was pretty impressive.

There's also some homage to the original All's Well, Ends Well movie that fun to spot. It's not hard to link Louis Koo effeminate character with the one that the late Leslie Cheung did in the original. The fantasy segment between Donnie Yen and Carina Lau were a reminiscence of Maggie Cheung and Stephen Chow's multiple roleplay of different well known movie characters.

Last but not least, it's nice to see Cecilia Cheung back in the showbiz after the Edison Chen's nude picture scandal. Although there's not much material in All's Well, Ends Well for her to work on, her screen presence remained ever so mesmerizing. It would be a pity if she had left the Hong Kong film industry and I for one is glad to see her back working.
megaupload streaming download rapidshare fileserve hotfile torrent bit asian 下载 subtitle avi
The translation of the Chinese title for All's Well, Ends Well 2011 最強囍事 literally means the strongest happiness. But among the various incarnation of All's Well, Ends Well movie, this is definitely not one of the strongest installment. But it's equally entertaining (and flawed) as it's immediate competitor this year (that would be Eric Tsang's I Love Hong Kong). For what they are intended, both are equally adequate as an enjoyable time passer during the Chinese New Year period.